Acorn Shortbread

Back in October I wrote about the laborious process of making acorn flour.  I only was able to process three batches before my acorns deemed too wormy to continue.  My scant cup and a half of flour has been waiting in my 'fridge since then for a recipe worthy of my efforts.  Friends have had scads of ideas but all of them included lots of added flavor.  For all of my hard work I wanted the subtle nutty acorn-ness of the flour to come through.  Finally I decided on a simple shortbread.

All of my cookies start out, usually, with the original Betty Crocker Cookie Book.  It's where I learned to bake back in the 70's and it never fails.  The original shortbread recipe has been slightly altered to allow for my handcrafted flour (and my tendencies towards whole and organic foods).  At one time in my early adulthood I used to collect cookie cutters.  I still have them and to my delight there was an acorn leaf shape.  Perfection!

Acorn Shortbread

3/4 cup unsalted organic butter
1/4 cup unrefined sugar
1/2 cup acorn flour
1 and 1/2 cup unbleached white flour
1/4 t salt
fleur de sel

Mix butter and sugar thoroughly.  Work in flour and salt with hands.  Chill dough for at least one hour.  Heat oven to 350.  Roll dough out to 1/3 to 1/2" thick.  Cut to desired shape.  Sprinkle with fleur de sel.  Place on ungreased baking sheet for 20 to 25 minutes.  Allow to cool before removing from pan or cookies will crack.

Bayberry

As soon as I moved to New York I started going to the local beaches.  I'm not one to sit still for very long and as soon as the SPF was applied I'd go exploring.  Walking along the beach I'd look for shells and pretty rocks, but further up along the dunes were some other treasures to behold.  Beach roses, or beach plum, were the first discovery.  Even tho they're not a showy rose they have a wonderful rich fragrance.  The rose hip, or plum as they're called in this case, are much larger than your average hip and many people make jam with them.  I also found horsetail, a very old plant that's been around since prehistoric times.  Horsetail is loaded with calcium, so much so that one has to be very careful not to take too much for fear of calcium crystals forming.  There's plenty of bittersweet, too, and in the autumn the dunes are a sea of orange.

The best thing I've discovered on the beach, tho, are the bayberry bushes.  They're so huge yet inconspicuous that they could easily be overlooked.  Northern bay, Myrica pensylvanica, has leaves with a sticky spicy aroma and the waxy berries were used by American colonists to make clean burning candles.

The herb is astringent and stimulant and emetic in large doses.  A decoction is good as a gargle for chronic inflammation and is an excellent wash for the gums.

Culinarily the leaves can be used dried as in traditional bay leaves.  In that case harvest them in the fall when they've matured and turned leathery.  Leave them to dry completely and their flavor will intensify.  I use them in soups and stews all winter long.  In season I like to chop them up fresh and use them to season pork and chicken.  I haven't had a chance to see what they do in vodka yet but I'll be trying that soon.  I hear they did wonders in a bottle of gin according to Edible Manhattan.

My special interest in making botanical colognes got me thinking of using the leaves to try my hand at making Bay Rum.  I read many recipes and bought myself a few bottles (most notably Dominca and Ogallala, the reputed best available) and set to work experimenting.  Like all of my colognes they are a work in progress and the formulas will be tweaked and improved upon until I find just the right recipe.  I made mine with fresh bay leaves, allspice, cinnamon, dried orange zest, vodka and white rum.  The scent wasn't quite accurate so I admit to adding a couple of drops of bay essential oil (Pimenta racemosa), the optimal variety of bay leaves used in making Bay Rum.

My colognes, including Bay Rum.

More Cologne Experiments

I had such a great time making colognes this summer, and the results were so successful, that I tried my hand at a couple more.  The new brews, Fresh Mown Hay and Bay Rum, did not disappoint.

Fresh Mown Hay is a maceration of sweet woodruff (which is left to rest after harvesting in order to bring out it's distinctive hay like scent), orris root, benzoin, roses, vanilla, lemon verbena, linden blossoms and jasmine flowers.  The woodruff not only gives it it's signature scent but also considerable tenacity.  It is a rich, lush fragrance with an almost edible quality to it and conjures images of rolling in meadows.

Bay Rum was definitely inspired by the vast bay bushes lining most of the coastal areas in the New York area. I've been gathering them and cooking with them for many years and finally came around to making a fragrance. Over the summer I gathered leaves and dried them (I read they yield a better fragrance dried) and did my research on formulary and then started to experiment. Using the rinds of some mandarin oranges and freshly ground cinnamon, allspice and cloves I was able to replicate and expand on the traditional scent.

Herbal Liqueurs

For the past couple of years I've been fooling around with liqueur making, especially herbal liqueurs.  I love amaros, Italian bitter digestive cordials, so I've done some research and found a nice old recipe, most of which I could either grow or get my hands on somehow.  I made it last year and followed the recipe but it came out sickeningly sweet so this year I used considerable restraint and made a much more palatable libation.

Liquore de erbe

• 200 ml alcohol 95%bv
• 500 ml water
• 400 g sugar
• 6 bay leaves
• 1 sprig of rosemary
• 10 mint leaves
• 10 chamomile flowers
• 10 sweet basil leaves
• 10 lemon leaves
• 15 sage leaves
• 3 cloves
• 3 saffron filaments

Steep botanicals in alcohol for 20 days. Add sugar syrup. Strain. Age for 4 weeks before consuming.  I made a simple syrup and added it to the brew one tablespoon at a time to the tune of six tablespoons per cup.


Also after reading through recipes of many herbal liqueurs made by monks over hundreds of years, I attempted to create my own recipe using mostly herbs grown in the 6/15 Green Community Herb Garden.  After harvesting the herbs I chose a few things from my apothecary herb collection and began macerating.  After falling in love with Chartreuse earlier in the year I made sure to include a lot of angelica, a principle ingredient in Chartreuese.

                                                                                     Sixfifteen Herb Garden Liqueur

                                                                                          oregano, nine inch stem
chamomile, 30 or so flowers
lemon balm, several handfuls
hyssop, two flowering stems
angelica, half stem
angelica root, one teaspoon
angelica seed, one teaspoon
mint, three large stems
coriander, two flowering tops
rosemary, 9 inch stem
basil, 15 leaves
sage, 4 seven inch stems
dried orange peel, one teaspoon
vanilla, half pod
saffron, five threads
cloves, nine cloves
calamus root, generous half teaspoon
wormwood, dried, three generous pinches
cinnamon, one small stick
orris root powder, half rounded teaspoon
mace, quarter teaspoon
lavender, eight stems
red clover, eight blossoms
yarrow flowers, one flower head

Steep all ingredients in vodka to cover for at least 30 days.  Sweeten to taste with simple syrup and age two months.

Overall both liqueurs came out very good and quite palatable.  I'll keep trying in the years to come but this holiday season I'll be very pleased to serve my guests a little cordial straight from my garden after a full meal.

A Nice Review of my Perfume Blending Class

A young woman approached me after my last Natural Perfume Blending class at 3rd Ward who had been sent to take the class from Brooklyn Magazine.  She had a few of questions and we exchanged contact info.  I was so incredibly delighted to read the review she sent me today from their blog.

I was most pleased to read that "Everyone in the class was really engaged and took notes and participated in the class in a way that was, frankly, really fun to be a part of", and that she though of me as "a lively, informative presence during the class, which she starts off with a history of perfume that manages to be both comprehensive and easy-to-follow for the novice.".  What I hope most about my classes is that they're informative and fun.  It's nice to receive some validation that I'm getting it right.

Elderflower Liqueur

I posted during the summer about my forays into making elderflower liqueur.  Since then the macerated vodka has been sitting on a shelf waiting for me to pay some attention to it and turn it into a liqueur.  I had nearly a wine bottle full of elderflower vodka and a small bottle of St.-Germain to compare and contrast with my creation.

At the onset the macerated elderflower vodka that I made has a dankness to it, a very green note, one that would lock with clary sage, or lavender absolute.  At first I thought it was a honeyed note that was missing so I sweetened a small batch with Lancaster County, PA, honey.  The dankness in the honey locked with that of the elderflower so that experiment was set aside.

The second experiment I sweetened with white sugar.  In the past I've used raw cane crystals instead of sugar but they add a slight mollasses flavor to the brew, as well as an unpleasant dark colored slimy layer that floats to the top of the bottle as it clarifies.  I'm hoping for a better result with white sugar.

After doing a bit more research in elderflower liqueur I noticed that most of the recipes call for lemons or lemon rinds during maceration, often recommending meyer lemons.  Last winter I made meyer lemon vodka so I did a little tweaking with it.  I also took a look at my collection of perfume oils and decided on four notes to be added;  yuzu, wild sweet orange, neroli and peru balsam.  I made 10% solutions of each oil and added them one or two drops at a time.

Also in my research I learned that most people make an elderflower syrup and then add alcohol to produce a liqueur.  I confirmed this yesterday with a Swiss friend who explained to me how this was done in her country.  Some of the recipes I read also called for fresh lemon balm.

Many trials later I've come up with something I think is truly worth sipping.  I even "fixed" the first and second versions and bottled them separately.  The recipe is a little rough but I think I have a much firmer idea of how to proceed next season.  In the meantime I think a cocktail of elderflower liqueur and champagne would be perfect for the holidays.

Elderflower Liqueur

2 3/4 cups elderflower vodka

1/8 cup meyer lemon vodka

scant 3/4 cup sugar

5/8 cups water

13 drops yuzu dilution, 10%

15 drops peru balsam dilution, 10%

4 drops neroli bigarade dilution, 10%

6 drops wild sweet orange dilution, !0%

Natural Perfume Blending Workshop, Part Two

This coming Saturday I'll be teaching part two of my perfumery course.  The class is for students who have taken the first class in Natural Perfume Blending but want to further their blending skills. The original kit of 50 or so oils will be added to with some rare and precious oils such as ambrette, hay absolute, tuberose, yuzu and pink pepper. The concepts of locking and burying will be explored and there will be specific assignments to deepen your understanding of blending and perfume creation, as well as sharpen your sense of smell.

Natural Perfume Blending,

Part Two

Saturday, November 10th

1:30 to 4:30

3rd Ward

195 Morgan Ave.

Brooklyn, NY