Friday, June 7, 2013

Midnight Garden

My newest perfume, Midnight Garden, is the joint creation of the lovely women of The Robert Allen Group and myself.  The Group has designed a new line of fabrics inspired by hanging orchids, twisting vines and hidden temples.  What they described to me was a rainforest, with orchids hanging in the trees, thick with fragrance in the night air.  Wild sweet orange, petitgrain and coriander CO2 greet the nose, sitting on top of a jasmine, neroli and honey heart.  At the bottom of this sultry midnight perfume is the vanilla orchid with peru balsam and oakmoss to finish.

Midnight Garden


Thursday, May 9, 2013

Perfume Organs

A perfume organ is how a perfumer organizes her fragrant materials. separating the oils between top, middle and bottom.

I've recently revamped my organ, creating a new inventory and labeling everything more clearly.  In the process I researched and looked at photos of many organs for inspiration.  Considering the limited space of a New York apartment I'm very happy with mine but desperately wish for a larger and more expansive version.

I've had the great privilege of taking courses with the fabulously talented Mandy Aftel and creating perfumes from her fantastic scent organ.  Where I might have a mere 1/8 of an ounce of a rare and precious oil, Mandy has a large ground glass stoppered bottle full!  It's really something to aspire to.

I also fell in love with a few other images of perfume organs that I found online.  Some are more extensive with room for lots of perfume ingredients.  Others are more up my alley, making do with a small space - and having to be creative in how the space is used.  I love the images and long for room to grow and create.  In the meantime I'm happy with my collection, it's where I create new formulas and do consultations with clients, enabling them to create their own custom perfume.  It's my happy place.

I particularly like this creative use of space

This is a photo I took of the organ at the Fragonard Museum in Paris.




Wednesday, May 8, 2013

The Bitters Experiment

After macerating for over six weeks I finally decanted my bitters and have been enjoying them in seltzer and cocktails.  I recently had a delicious Manhattan using Woodland Bitters, the brew adding a woodsy complexity to the libation.  I think the Cherry Hazelnut are my favorite and I look forward to another Manhattan using it.

Cherry Hazelnut Bitters

1/2 cup lightly toasted and skinned hazelnuts
1/2 cup dried tart or sour cherries
2 tablespoons devil's club root
1/2 teaspoon schizandra berries
1/2 teaspoon wild cherry bark
1/2 teaspoon cinchona bark
1/2 teaspoon cassia chips
1/4 teaspoon chopped dried orange peel
3 star anise
2 cups 101-proof bourbon, or more as needed

Macerate six weeks and decant.   The original recipe (taken from Brad Thomas Parsons wonderful book, "Bitters") suggests decanting after two weeks and retaining the solids to be boiled in one cup of water over high heat and returning the filtered water into the original brew.  He also suggests adding 2 tablespoons of rich syrup.  I found these extra steps tedious so just left it to macerate longer and I'm quite happy with the results.

Wednesday, April 3, 2013

Natural Perfume Blending with Mandy Aftel

I don't know if I can say more about how wonderful it is to arrive at Mandy Aftel's beautiful studio in Berkeley, California.  For a woman who loves the raw materials of perfumery it's the closest thing to heaven.  I'm proud of my collection of oils and absolutes that I've assembled, but it pales in comparison to the quantity, quality and desirability of Mandy's scent organ.  What a joy to use the finest (and sometimes rarest) materials in their ground glass stoppered bottles and jars. 

Mandy collects antique oils as well and displays their original bottles in the window with the gorgeous California light streaming through.  It was a visual feast as well as olfactory.

Questions answered, curiosity piqued, inspiration fired up I return to my studio to get to work on new creations.  I'm so grateful for the opportunity and for another chance to get to know Mandy a little better.  I'm a fan!



Mandy also sells a collection of oils.  Let her do the work for you tracking down the best possible materials.   Visit her website at aftelier.com.

Thursday, March 21, 2013

Making Bitters

Edible Brooklyn, in their recent alcohol issue, said that everyone in Brooklyn has to make bitters, it's one of the rules.  It's true that I know an inordinate amount of people who make bitters (and beer, mead, hot sauce, play the ukelele, the accordion, etc.).  Bitters are a Very Big Thing in these parts and they're taken very seriously.

Traditionally they're considered medicine and used as a digestive tonic for the occasional upset of overeating.  In the Victorian era they found their way into cocktails.  Once the Manhattan was invented they were assured their place in every bartender's arsenal.

After doing a bit of research online I found a few recipes I wanted to try.  I was recommended to try the Dandelion Botanical Company for my bittering herbs and flavoring agents (I would also recommend Mountain Rose Herbs).  My intention was to follow a few recipes and then continue to experiment on my own.  The primary bittering herb is gentian root, the stuff that made Angostura so famous.  I also purchased chinchona bark, the principal ingredient in creating tonic water (another experiment for later), sarasparilla, devil's club root, black walnut leaf and wild cherry bark.  (The catalog had other things I just couldn't resist ordering including sandalwood powder, patchouli leaf and osmanthus flowers - yet another project).

The recipe I settled on, amongst others, was Woodland Bitters.  I loved the idea of the earthy devil's club root with wild cherry bark and toasted nuts.  I also made a classic Angostura style bitters as well as Cherry Hazelnut Bitters.  If I didn't think I'd be inundated with bitters for the rest of my life I'd be experimenting with many variations (figs, citrus, cranberry, wormwood, etc.), and it's nowhere near Christmas where I could at least hand them out as presents.

              Woodland Bitters
  1. 2 cups overproof bourbon (such as Wild Turkey 101)
  2. 1 cup pecans, toasted
  3. 1 cup walnuts, toasted
  4. 4 cloves
  5. Two 3-inch cinnamon sticks
  6. 1 whole nutmeg, cracked
  7. 1 vanilla bean, split
  8. 2 tablespoons devil's club root
  9. 1 tablespoon cinchona bark
  10. 1 tablespoon chopped black walnut leaf
  11. 1 tablespoon wild cherry bark
  12. 1/2 teaspoon cassia chips
  13. 1/2 teaspoon gentian root
  14. 1/2 teaspoon sarsaparilla root
  15. 3 tablespoons pure maple syrup
  1. In a 1-quart glass jar, combine all of the ingredients except the syrup. Cover and shake well. Let stand in a cool, dark place for 2 weeks, shaking the jar daily.
  2. Strain the infused alcohol into a clean 1-quart glass jar through a cheesecloth-lined funnel. Squeeze any infused alcohol from the cheesecloth into the jar; reserve the solids. Strain the infused alcohol again through new cheesecloth into another clean jar to remove any remaining sediment. Cover the jar and set aside for 1 week.
  3. Meanwhile, transfer the solids to a small saucepan. Add 1 cup of water and bring to a boil. Cover and simmer over low heat for 10 minutes; let cool completely. Pour the liquid and solids into a clean 1-quart glass jar. Cover and let stand at room temperature for 1 week, shaking the jar once daily.
  4. Strain the water mixture through a cheesecloth-lined funnel set over a clean 1-quart glass jar; discard the solids. If necessary, strain again to remove any remaining sediment. Add the infused alcohol and the syrup. Cover and let stand at room temperature for 3 days. Pour the bitters through a cheesecloth-lined funnel or strainer and transfer to glass dasher bottles. Cover and keep in a cool, dark place.
So far my bitters have been aging for a little over four weeks.  I think I'll skip parts 3 and 4 and just let them macerate for four weeks and strain thoroughly before adding a bit of water and maple syrup.

Monday, March 4, 2013

Acorn Shortbread

Back in October I wrote about the laborious process of making acorn flour.  I only was able to process three batches before my acorns deemed too wormy to continue.  My scant cup and a half of flour has been waiting in my 'fridge since then for a recipe worthy of my efforts.  Friends have had scads of ideas but all of them included lots of added flavor.  For all of my hard work I wanted the subtle nutty acorn-ness of the flour to come through.  Finally I decided on a simple shortbread.

All of my cookies start out, usually, with the original Betty Crocker Cookie Book.  It's where I learned to bake back in the 70's and it never fails.  The original shortbread recipe has been slightly altered to allow for my handcrafted flour (and my tendencies towards whole and organic foods).  At one time in my early adulthood I used to collect cookie cutters.  I still have them and to my delight there was an acorn leaf shape.  Perfection!

Acorn Shortbread

3/4 cup unsalted organic butter
1/4 cup unrefined sugar
1/2 cup acorn flour
1 and 1/2 cup unbleached white flour
1/4 t salt
fleur de sel

Mix butter and sugar thoroughly.  Work in flour and salt with hands.  Chill dough for at least one hour.  Heat oven to 350.  Roll dough out to 1/3 to 1/2" thick.  Cut to desired shape.  Sprinkle with fleur de sel.  Place on ungreased baking sheet for 20 to 25 minutes.  Allow to cool before removing from pan or cookies will crack.

Thursday, January 17, 2013

Bayberry

As soon as I moved to New York I started going to the local beaches.  I'm not one to sit still for very long and as soon as the SPF was applied I'd go exploring.  Walking along the beach I'd look for shells and pretty rocks, but further up along the dunes were some other treasures to behold.  Beach roses, or beach plum, were the first discovery.  Even tho they're not a showy rose they have a wonderful rich fragrance.  The rose hip, or plum as they're called in this case, are much larger than your average hip and many people make jam with them.  I also found horsetail, a very old plant that's been around since prehistoric times.  Horsetail is loaded with calcium, so much so that one has to be very careful not to take too much for fear of calcium crystals forming.  There's plenty of bittersweet, too, and in the autumn the dunes are a sea of orange.

The best thing I've discovered on the beach, tho, are the bayberry bushes.  They're so huge yet inconspicuous that they could easily be overlooked.  Northern bay, Myrica pensylvanica, has leaves with a sticky spicy aroma and the waxy berries were used by American colonists to make clean burning candles.

The herb is astringent and stimulant and emetic in large doses.  A decoction is good as a gargle for chronic inflammation and is an excellent wash for the gums.

Culinarily the leaves can be used dried as in traditional bay leaves.  In that case harvest them in the fall when they've matured and turned leathery.  Leave them to dry completely and their flavor will intensify.  I use them in soups and stews all winter long.  In season I like to chop them up fresh and use them to season pork and chicken.  I haven't had a chance to see what they do in vodka yet but I'll be trying that soon.  I hear they did wonders in a bottle of gin according to Edible Manhattan.

My special interest in making botanical colognes got me thinking of using the leaves to try my hand at making Bay Rum.  I read many recipes and bought myself a few bottles (most notably Dominca and Ogallala, the reputed best available) and set to work experimenting.  Like all of my colognes they are a work in progress and the formulas will be tweaked and improved upon until I find just the right recipe.  I made mine with fresh bay leaves, allspice, cinnamon, dried orange zest, vodka and white rum.  The scent wasn't quite accurate so I admit to adding a couple of drops of bay essential oil (Pimenta racemosa), the optimal variety of bay leaves used in making Bay Rum.

My colognes, including Bay Rum.