Monday, October 28, 2013

Sol de la Foret

Sol de la Foret, my newest fragrance, is a true labor of love.  After falling head over heals with the fragrance family, fougere, I set out to make my own.  To be a true fougere a perfume must contain a coumarin note, oakmoss and lavender.  Coumarin was the first synthetic chemical created in a laboratory in 1886 and was the principal ingredient in Houbigant's Fougere Royale, since considered the industry standard.  Coumarins are found in abundance in materials like tonka bean, sweet clover, flouve and deertongue.  It is also found, rather surprisingly, in lavender.

For this creation I've used a generous amount of rich caramelic tonka bean.  To give it a greener, mossier and more coumaranic note I also added sweet clover, a new favorite of mine.  I used a bit of fossilized amber, a tree resin that is millions of years old from  high in the Himalayan Mountains, in the bottom to add a dry smokey quality to the earth element of the blend.  It dries down very soft and sweetens adding a slight powdery note at the bottom - along with great fixation.  Tobacco and Vanilla CO2 add some warmth to the whole bottom.  Following the rules of the true genre there is also the addition of oakmoss, adding a wet roots and leaves note to the forrest floor.  Those sensitive to oakmoss be warned.

At the heart of the perfume is a lovely synergy of carnation and lavender absoutes with a touch of clary sage and orange blossom concretes.  Tunisian neroli was a perfect match for high linalool ho wood at the top, with just a drop of blood orange.

Top:  ho wood, neroli, blood orange
Heart:  carnation and lavender absolutes, clary sage and orange blossom concretes
Base:  tonka bean, sweet clover, oak moss, fossilized amber and tobacco absolutes with vanilla CO2

This perfume comes beautifully packaged in a brown velvet envelope in a gold box with a vintage velvet millinery leaf nestled inside.  No markings of any kind have been made to the box or velvet envelope so that they bay be reused (or regifted as the case may be).  The leaf is your keepsake, that and the lingering fragrance.

Introducing Sol de la Foret, the forest floor.

See the listing on my website or Etsy store.

To learn more about fougere's, and a chance to make some yourself, sign up for my Fougere Workshop, Saturday, November 16th.

Thursday, October 3, 2013

Mystery Found Fragrance

While hunting for bottles on the beach last month I came across this tightly capped mysterious bottle filled with liquid.  I opened it right then and there and smelled a faint floral fragrance amidst the brackish seawater.  I tucked it in my bag and proceeded to scavenge and only opened it later when I was home and sorting through my finds.  In the comfort of my home it smells more like dirty seawater than heavenly floral but still a faint trace of its original contents remains.  The sediment on the bottom could be fragrant matter that separated from the alcohol once water was introduced.  Or it could simply be debris from the ocean floor.  The bottle has no markings and is such an industry standard design that it could be almost anything.  Mystery indeed.

Monday, September 16, 2013

Fougere Workshop


The fragrance family known as the fougere is a fantasy concept meant to capture the scent of the natural habitat of ferns - the forest floor.  The principal notes are oakmoss, tonka bean and lavender. In this workshop we’ll be sampling Fougere Royale and Jicky, the instigators of this fragrance family, as well as a careful selection of the botanical world’s best perfumers.  Each student will create two perfumes using a collection of oils I’ve assembled for the the occasion including tonka bean, sweet clover, hay and a selection of lavender essential oils, absolutes and concretes.  This will also be an opportunity to work with a few rare and precious oils such as orris root, ambrette, choya nak, ho wood, buddahwood and wild sweet orange.


Fougere Workshop
Saturday, November 16th
1:00 to 4:00
$150 includes all materials
Park Slope, Brooklyn
Call (718)788-6480 or send an email to info@herbalalchemy.net for more information or register here.

Thursday, September 12, 2013

Beach Bottles

I had some good luck collecting bottles on the beach this year.  Most of them get scrubbed clean, sterilized and bottle up my cologne experiments.  Some of them end up as spice jars, medicine jars, liquor bottles and some are just for the love of collecting bottles.  These are some of the treasures I found this summer.

Thursday, September 5, 2013

New Colognes

Colognes bottled up and ready
This season's colognes are finally brewed, filtered, bottled and labeled.  I'm pleased with the way they turned out this year.  The new influx of materials was a joy to work with.

I started the project by individually tincturing the dry materials to see/smell what they do on their own.  Then I was able to blend with more confidence.  After doing research on old cologne formulary and coming up with some ideas of my own I set about working my ideas out on paper.  I knew I wanted to do a fougere and I've always wanted to make something called Swamp Water.  The new fragrances are:

Foret de Fougere:  Lately I've fallen in love with the fragrance family fougere. French for fern, fougeres are meant to replicate the scent of the forest floor (ferns don't actually have a scent of their own). To be a true fougere there must be three notes - lavender, oakmoss and some kind of coumarin (the molecule responsible for the sweet caramel note in tonka beans, hay and sweet woodruff). Oakmoss is a little tough to come by in its natural state but the coumarin note was accomplished by sweet woodruff and tonka beans and accented with vanilla beans and patchouli. Jasmine forms the heart of this fragrance with lavender and cassia in the top. I'm really happy with the way this one came out, it may be my favorite of all the cologne experiments.

L'eau du Who:  L'eau du Who is inspired by the classic cologne, 4711. After a little research I came up with an approximate formula for the cologne and broke it down into something akin. Patchouli leaves, vetiver roots and sandalwood powder form the base while jasmine, rose buds and peach tea create the heart, finished with meyer lemon, minneola tangerine and orange peel combined with basil and lemon verbena. I named it after my guitar hero, Pete Townshend of the Who, who reportedly wore it before his shows.

Swamp Water:  Swamp Water is an idea I came up with long ago when fantasizing about the bayou. I saw grasses swaying in the breeze, the night air thick with heavy florals, a refreshing glass of tea with herbs. Vetiver, the roots of a grass, and sweetgrass combine with sandalwood to form the base while jasmine, meadowsweet and lavender bring in the heart. Swirling on top are jasmine tea, orange peel and lemon verbena.

Meadowsweet:  This cologne could easily be called Honey Water as it is as sweet as nectar. Meadowsweet and linden blossoms sit atop crushed tonka beans and sandalwood with lemon verbena gracing the top.

Terroir:  Terroir is the term used to describe the special set of characteristics that the geography, geology and climate of a certain place, interacting with the plant's genetics, express in agricultural products. Most of the herbs and flowers used in this potion are locally grown and harvested myself. Sweet woodruff, which grows in my herb garden, is supplanted with orris root and sweetgrass to form the bottom chord. Freshly harvested linden blossoms and pink and white roses form the heart, with home grown lemon verbena, tarragon and sweet annie on top. It has a sweet earthy lushness, Brooklyn grown.

Monday, August 19, 2013

Scented Powder

My summers are spent conjuring up ways to stay cool.  Middle age has caused a heatwave in me that needs as much chilling as possible.  I have a few standby tried and true remedies I use including cucumber water, violet tisane, mugi cha (Japanese roasted barley tea) and an evening bath followed by a delicate dusting of body powder.

Most commercial powders are made with talc, a mineral composed of hydrated magnesium silicate, a known carcinogen. There are other materials which are far less toxic and also have great absorptive properties.  Corn starch is often used but bacteria can grow easily in corn so the less noxious alternative is arrowroot powder, a starch obtained from the rhizomes of several tropical plants.


Another alternative base for dusting powder is clay.  Kaolin is often used but I use bentonite (simply because it's what I have on hand).  Clay is absorptive so it's perfect for homemade powders.



My Herbal Body Powder
Scenting the powder is a matter of choice.  You can simply add essential oils to your powder base and mix them up, either in a blender or carefully spraying the oils over the powder and shaking it up.  I prefer to use powdered herbs to scent mine.  I started with powdered orris root and was using an equal amount of that and arrowroot.  Powdered roses and sandalwood are also big favorites of mine.  Some other choices are chamomile, calendula, orange flowers, lavender or just about anything you can manage to grind up.  I buy some things already ground (roses, orris root, sandalwood) and other things I grind myself in a coffee grinder I use specifically for herbs.

Swan's down is the traditional material used for making powder puffs.  I'm opposed to animal cruelty and I'm not sure what the effect is for the swan.  Another alternative is lambswool.  Far less expensive than down and quite a bit larger, you get quite a whomp of powder from one of these beauties.  Otherwise it's synthetic polyester, not even an option in my book.  There are also vintage down puffs available on Etsy and Ebay, some are quite beautiful.  

We have a bit of summer left before the cool autumn blows in.  Pamper your heatstricken self with a little fragrant dusting.

Thursday, August 1, 2013

Time Again to Tincture

Colognes and tinctures brewing in my studio
I don't know what it is about summer but it's then that I start trying to capture the fragrances around me in tinctured form.  Maybe it's because I prefer lighter fragrances in the summer, when I switch from heavy perfumes to a splash of cologne instead.  There's something old fashioned about an after bath splash and I thought so even as a teenager in the 70's with the lilac cologne I liberally applied after each nightly bath.

Last summer I had some very good luck tincturing some of the dried herbs, flowers, roots, barks and berries that I've been collecting.  Over the past year I've collected quite a bit more plant material to experiment with.  I've not only collected plants in the park and from my community garden but also collected some from a couple of reputable herb companies.  The first was Dandelion Botanical Company.  My original intent with this order was the accumulation of the necessary ingredients for making bitters.  Not surprisingly I couldn't resist ordering a few other scented materials such as osmanthus flowers and sarasparilla bark.  Recently I received another order of herbs from Mountain Rose Herbs, a package I waited anxiously for which included such luxuries as tonka beans and meadowsweet blossoms.

Another heat wave had me conjuring up cooling and fragrant elixirs to calm the heat-addled spirits.  My new materials had me quite inspired and I made a list of them categorizing them by top, middle and bottom note, just as I would if I were making a perfume.  From there I jotted down some ideas and began blending.  My mortar and pestle were put to good use (that always makes me feel like a real apothecary).  They've been brewing for a month now and today they're being strained off and I'll soon be bottling them up for sale.

My favorite so far is Swamp Water which I dreamt up thinking about the bayou and tall grasses, night air thick with heady florals and sweet tea.  I also made a fougere, my latest obsession, using sweet woodruff, tonka beans, patchouli, jasmine, cassia and lavender.  Eau de la Who is inspired by my guitar hero, Pete Townshend, who I learned wore the classic 4711 when he went onstage.  I plan on sending him some.