Fougere

I've fallen in love with a fragrance family, the fougere.  French for fern, fougere is a fantasy concept meant to capture the scent of the natural habitat of ferns - the forest floor.  The principal notes in a fougere are oakmoss, tonka bean and lavender.

The first fougere was Fougere Royale by Houbigant, created in 1882, and spurred a whole new perfume category.  While it's probable that these fragrant chords were popular before the release of Fougere Royale, the fragrance captured a moment in time and has forever become linked with it's origination.  Houbigant was the first house to develop a scent chemical meant to replicate the scent of fresh mown hay, otherwise known as coumarin.  Coumarin is present in tonka beans, hay, sweet clover, sweet woodruff, sweetgrass, flouve and deertounge and in lesser degrees lavender, cassia, cherries, strawberries and apricots.  It is an overall pleasant odor reminiscent of sweet grass with vanilla overtones.

Jicky by Guerlain was created soon after in 1889 and it has notes of lavender, rosemary, bergamot,  opoponax, precious woods, vanilla, and tonka bean.


Fougere captured the imagination of perfumers who used tonka, oakmoss and lavender as a base to create new versions of the concept.  Often the base is supplemented by patchouli, vetiver, sandalwood and myrrh.  Often there is a rosy heart supported by geranium and clary sage, jasmine and orange blossom with top notes of lavender, rosewood, citrus, rosemary and bergamot.  There are sub-categories of floral, fresh, oriental, amber, leather and precious wood fougeres.

I'm hosting a fougere workshop in my home atelier on Saturday, July 27th.  We'll be sampling Fougere Royale, Jicky and a careful selection of fragrances by some of the botanical perfume world's best perfumers including Dawn Spencer Hurwitz, Charna Ethier, Ayala Moriel and others.  Each participant will get to create two perfumes using an assortment of oils I've collected just for the occasion.  Tonka bean, sweet clover and hay absolute will be on hand along with several lavender absolutes and essential oils.  This will be an opportunity to experiment with a few rare and precious oils like orris, ambrette, choya nak, ho wood, buddahwood and wild sweet orange.

Fougere Workshop

Saturday, July 27th

1:30 to 4:30

$130 includes all materials

Park Slope, Brooklyn

Call (718)788-6480 or send an email to info@herbalalchemy.net for more information or to register.

It's a Good Thing: A Little Mention in Martha Stewart Weddings

This put a smile on my face!  A few months ago I got an email from someone at MS Weddings asking me for information about fragrance parties for brides.  They were writing a feature about alternatives to traditional bachelorette parties and wanted to include ideas for classes.  It's really a great idea.  I'd much prefer making jewelry, cheese, perfume or pretty much just about anything than drink too much and watch some smarmy guy undress!

To learn more or book a party click here.

Midnight Garden

My newest perfume, Midnight Garden, is the joint creation of the lovely women of The Robert Allen Group and myself.  The Group has designed a new line of fabrics inspired by hanging orchids, twisting vines and hidden temples.  What they described to me was a rainforest, with orchids hanging in the trees, thick with fragrance in the night air.  Wild sweet orange, petitgrain and coriander CO2 greet the nose, sitting on top of a jasmine, neroli and honey heart.  At the bottom of this sultry midnight perfume is the vanilla orchid with peru balsam and oakmoss to finish.

Midnight Garden

20ml bottle

$55.00

 1ml sample

$7.00

Perfume Organs

A perfume organ is how a perfumer organizes her fragrant materials. separating the oils between top, middle and bottom.

I've recently revamped my organ, creating a new inventory and labeling everything more clearly.  In the process I researched and looked at photos of many organs for inspiration.  Considering the limited space of a New York apartment I'm very happy with mine but desperately wish for a larger and more expansive version.

I've had the great privilege of taking courses with the fabulously talented Mandy Aftel and creating perfumes from her fantastic scent organ.  Where I might have a mere 1/8 of an ounce of a rare and precious oil, Mandy has a large ground glass stoppered bottle full!  It's really something to aspire to.

I also fell in love with a few other images of perfume organs that I found online.  Some are more extensive with room for lots of perfume ingredients.  Others are more up my alley, making do with a small space - and having to be creative in how the space is used.  I love the images and long for room to grow and create.  In the meantime I'm happy with my collection, it's where I create new formulas and do consultations with clients, enabling them to create their own custom perfume.  It's my happy place.

I particularly like this creative use of space

This is a photo I took of the organ at the Fragonard Museum in Paris.

The Bitters Experiment

After macerating for over six weeks I finally decanted my bitters and have been enjoying them in seltzer and cocktails.  I recently had a delicious Manhattan using Woodland Bitters, the brew adding a woodsy complexity to the libation.  I think the Cherry Hazelnut are my favorite and I look forward to another Manhattan using it.

Cherry Hazelnut Bitters

1/2 cup lightly toasted and skinned hazelnuts
1/2 cup dried tart or sour cherries
2 tablespoons devil's club root
1/2 teaspoon schizandra berries
1/2 teaspoon wild cherry bark
1/2 teaspoon cinchona bark
1/2 teaspoon cassia chips
1/4 teaspoon chopped dried orange peel
3 star anise
2 cups 101-proof boubon, or more as needed

Macerate six weeks and decant.   The original recipe (taken from Brad Thomas Parsons wonderful book, "Bitters") suggests decanting after two weeks and retaining the solids to be boiled in one cup of water over high heat and returning the filtered water into the original brew.  He also suggests adding 2 tablespoons of rich syrup.  I found these extra steps tedious so just left it to macerate longer and I'm quite happy with the results.

Natural Perfume Blending with Mandy Aftel

I don't know if I can say more about how wonderful it is to arrive at Mandy Aftel's beautiful studio in Berkeley, California.  For a woman who loves the raw materials of perfumery it's the closest thing to heaven.  I'm proud of my collection of oils and absolutes that I've assembled, but it pales in comparison to the quantity, quality and desirability of Mandy's scent organ.  What a joy to use the finest (and sometimes rarest) materials in their ground glass stoppered bottles and jars. 

Mandy collects antique oils as well and displays their original bottles in the window with the gorgeous California light streaming through.  It was a visual feast as well as olfactory. 

Questions answered, curiosity piqued, inspiration fired up I return to my studio to get to work on new creations.  I'm so grateful for the opportunity and for another chance to get to know Mandy a little better.  I'm a fan!



Mandy also sells a collection of oils.  Let her do the work for you tracking down the best possible materials.   Visit her website at aftelier.com.

Making Bitters

Edible Brooklyn, in their recent alcohol issue, said that everyone in Brooklyn has to make bitters, it's one of the rules.  It's true that I know an inordinate amount of people who make bitters (and beer, mead, hot sauce, play the ukelele, the accordion, etc.).  Bitters are a Very Big Thing in these parts and they're taken very seriously.

Traditionally they're considered medicine and used as a digestive tonic for the occasional upset of overeating.  In the Victorian era they found their way into cocktails.  Once the Manhattan was invented they were assured their place in every bartender's arsenal.

After doing a bit of research online I found a few recipes I wanted to try.  I was recommended to try the Dandelion Botanical Company for my bittering herbs and flavoring agents (I would also recommend Mountain Rose Herbs).  My intention was to follow a few recipes and then continue to experiment on my own.  The primary bittering herb is gentian root, the stuff that made Angostura so famous.  I also purchased chinchona bark, the principal ingredient in creating tonic water (another experiment for later), sarasparilla, devil's club root, black walnut leaf and wild cherry bark.  (The catalog had other things I just couldn't resist ordering including sandalwood powder, patchouli leaf and osmanthus flowers - yet another project).

The recipe I settled on, amongst others, was Woodland Bitters.  I loved the idea of the earthy devil's club root with wild cherry bark and toasted nuts.  I also made a classic Angostura style bitters as well as Cherry Hazelnut Bitters.  If I didn't think I'd be inundated with bitters for the rest of my life I'd be experimenting with many variations (figs, citrus, cranberry, wormwood, etc.), and it's nowhere near Christmas where I could at least hand them out as presents.

              Woodland Bitters

1. 2 cups overproof bourbon (such as Wild Turkey 101)
2. 1 cup pecans, toasted
3. 1 cup walnuts, toasted
4. 4 cloves
5. Two 3-inch cinnamon sticks
6. 1 whole nutmeg, cracked
7. 1 vanilla bean, split
8. 2 tablespoons devil's club root
9. 1 tablespoon cinchona bark
10. 1 tablespoon chopped black walnut leaf
11. 1 tablespoon wild cherry bark
12. 1/2 teaspoon cassia chips
13. 1/2 teaspoon gentian root
14. 1/2 teaspoon sarsaparilla root
15. 3 tablespoons pure maple syrup

1. In a 1-quart glass jar, combine all of the ingredients except the syrup. Cover and shake well. Let stand in a cool, dark place for 2 weeks, shaking the jar daily.
2. Strain the infused alcohol into a clean 1-quart glass jar through a cheesecloth-lined funnel. Squeeze any infused alcohol from the cheesecloth into the jar; reserve the solids. Strain the infused alcohol again through new cheesecloth into another clean jar to remove any remaining sediment. Cover the jar and set aside for 1 week.
3. Meanwhile, transfer the solids to a small saucepan. Add 1 cup of water and bring to a boil. Cover and simmer over low heat for 10 minutes; let cool completely. Pour the liquid and solids into a clean 1-quart glass jar. Cover and let stand at room temperature for 1 week, shaking the jar once daily.
4. Strain the water mixture through a cheesecloth-lined funnel set over a clean 1-quart glass jar; discard the solids. If necessary, strain again to remove any remaining sediment. Add the infused alcohol and the syrup. Cover and let stand at room temperature for 3 days. Pour the bitters through a cheesecloth-lined funnel or strainer and transfer to glass dasher bottles. Cover and keep in a cool, dark place.

So far my bitters have been aging for a little over four weeks.  I think I'll skip parts 3 and 4 and just let them macerate for four weeks and strain thoroughly before adding a bit of water and maple syrup.