A young woman approached me after my last Natural Perfume Blending class at 3rd Ward who had been sent to take the class from Brooklyn Magazine. She had a few of questions and we exchanged contact info. I was so incredibly delighted to read the review she sent me today from their blog.
I was most pleased to read that "Everyone in the class was really engaged and took notes and
participated in the class in a way that was, frankly, really fun to be a
part of", and that she though of me as "a lively, informative presence during the class, which she starts
off with a history of perfume that manages to be both comprehensive and
easy-to-follow for the novice.". What I hope most about my classes is that they're informative and fun. It's nice to receive some validation that I'm getting it right.
Wednesday, November 21, 2012
A Nice Review of my Perfume Blending Class
Wednesday, November 7, 2012
Elderflower Liqueur
I posted during the summer about my forays into making elderflower liqueur. Since then the macerated vodka has been sitting on a shelf waiting for me to pay some attention to it and turn it into a liqueur. I had nearly a wine bottle full of elderflower vodka and a small bottle of St.-Germain to compare and contrast with my creation.
At the onset the macerated elderflower vodka that I made has a dankness to it, a very green note, one that would lock with clary sage, or lavender absolute. At first I thought it was a honeyed note that was missing so I sweetened a small batch with Lancaster County, PA, honey. The dankness in the honey locked with that of the elderflower so that experiment was set aside.
The second experiment I sweetened with white sugar. In the past I've used raw cane crystals instead of sugar but they add a slight mollasses flavor to the brew, as well as an unpleasant dark colored slimy layer that floats to the top of the bottle as it clarifies. I'm hoping for a better result with white sugar.
After doing a bit more research in elderflower liqueur I noticed that most of the recipes call for lemons or lemon rinds during maceration, often recommending meyer lemons. Last winter I made meyer lemon vodka so I did a little tweaking with it. I also took a look at my collection of perfume oils and decided on four notes to be added; yuzu, wild sweet orange, neroli and peru balsam. I made 10% solutions of each oil and added them one or two drops at a time.
Also in my research I learned that most people make an elderflower syrup and then add alcohol to produce a liqueur. I confirmed this yesterday with a Swiss friend who explained to me how this was done in her country. Some of the recipes I read also called for fresh lemon balm.
Many trials later I've come up with something I think is truly worth sipping. I even "fixed" the first and second versions and bottled them separately. The recipe is a little rough but I think I have a much firmer idea of how to proceed next season. In the meantime I think a cocktail of elderflower liqueur and champagne would be perfect for the holidays.
At the onset the macerated elderflower vodka that I made has a dankness to it, a very green note, one that would lock with clary sage, or lavender absolute. At first I thought it was a honeyed note that was missing so I sweetened a small batch with Lancaster County, PA, honey. The dankness in the honey locked with that of the elderflower so that experiment was set aside.
The second experiment I sweetened with white sugar. In the past I've used raw cane crystals instead of sugar but they add a slight mollasses flavor to the brew, as well as an unpleasant dark colored slimy layer that floats to the top of the bottle as it clarifies. I'm hoping for a better result with white sugar.
After doing a bit more research in elderflower liqueur I noticed that most of the recipes call for lemons or lemon rinds during maceration, often recommending meyer lemons. Last winter I made meyer lemon vodka so I did a little tweaking with it. I also took a look at my collection of perfume oils and decided on four notes to be added; yuzu, wild sweet orange, neroli and peru balsam. I made 10% solutions of each oil and added them one or two drops at a time.
Also in my research I learned that most people make an elderflower syrup and then add alcohol to produce a liqueur. I confirmed this yesterday with a Swiss friend who explained to me how this was done in her country. Some of the recipes I read also called for fresh lemon balm.
Many trials later I've come up with something I think is truly worth sipping. I even "fixed" the first and second versions and bottled them separately. The recipe is a little rough but I think I have a much firmer idea of how to proceed next season. In the meantime I think a cocktail of elderflower liqueur and champagne would be perfect for the holidays.
Elderflower Liqueur
2 3/4 cups elderflower vodka
1/8 cup meyer lemon vodka
scant 3/4 cup sugar
5/8 cups water
13 drops yuzu dilution, 10%
15 drops peru balsam dilution, 10%
4 drops neroli bigarade dilution, 10%
6 drops wild sweet orange dilution, !0%
Labels:
alchemy,
apothecary,
Brooklyn,
cocktails,
elderflower,
essential oils,
foraging,
infused vodka,
infusion,
Julianne Zaleta,
liqueur,
meyer lemon,
neroli,
peru balsam,
recipe,
yuzu
Monday, November 5, 2012
Natural Perfume Blending Workshop, Part Two
This coming Saturday I'll be teaching part two of my perfumery course. The class is for students who have taken the first class in Natural
Perfume Blending but want to further their blending skills. The original
kit of 50 or so oils will be added to with some rare and precious oils
such as ambrette, hay absolute, tuberose, yuzu and pink pepper. The
concepts of locking and burying will be explored and there will be
specific assignments to deepen your understanding of blending and
perfume creation, as well as sharpen your sense of smell.
Saturday, November 10th
1:30 to 4:30
3rd Ward
195 Morgan Ave.
Brooklyn, NY
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